Guided by posthumanist thought, somatic intelligence, and poetic futurism, I create time-based environments and movement-centered works that blur the boundaries between nature and machine, presence and projection, ancestry and data. The unseen—what lingers beneath perception—becomes tangible through real-time sensors, audio-visual reactive lights, and generative soundscapes, where bodies imprint onto space like weather systems: transient, emotional, and mutable.
Time, for me, is not linear but cyclical, layered, and polyphonic. I explore how rhythms of breath, gesture, and light can fracture or expand perception—revealing the elasticity of presence. Through speculative choreographies and systematic interfaces, I construct hybrid worlds where identities flow, architectures breathe, and gestures archive complex histories of cross-cultural entanglement.
My practice is a meditation on impermanence and an inquiry into becoming—a slow metamorphosis across systems, myths, and networked terrains. By weaving together the seen and unseen, the felt and the remembered, I seek to awaken the senses, activate memory, and cultivate vulnerability as a form of resistance. In this space, time dilates, space listens, and the body becomes both storyteller and archive—a living interface between past, present, and speculative futures.
I move, make, connect, create, reconstruct, and deconstruct time, space, mediums, and many things.